THE WHITE DIVERS OF BROOME – REVIEWS

Kenneth Moraleda as Bin Mahomet in Hilary Bell's "The White Divers of Broome" directed by Kate Cherry. Presented by Black Swan State Theatre Company and Perth International Arts Festival

Kenneth Moraleda as Bin Mahomet in Hilary Bell's "The White Divers of Broome" directed by Kate Cherry. Presented by Black Swan State Theatre Company and Perth International Arts Festival - Photo by Gary Marsh and Fiona Hoy, Gary Marsh Photography 2012

The world premiere of Hilary Bell’s “The White Divers of Broome” opened at The State Theatre Centre of Western Australia. The event was graced with the attendance of Ernie Dingo, Andrew “Twiggy” Forrest, Premier Colin Barnett and wife Lynn, renowned New York-based photographer Russell James in the packed Heath Ledger Theatre.

Reviews have been favourable towards Kenneth Moraleda’s performance:

“Kenneth Moraleda gives the most engaging performance in the minor part of a crippled Malay diver. Of all Bell’s colourful characters, Bin Mahomet seems the best drawn: he is as droll and perceptive as a tragic court jester.”
Victoria Laurie – The Australian

Yutaka Izumihara and Kenneth Moraleda - Photo by Gary Marsh and Fiona Hoy Gary Marsh Photography © 2012

Kenneth Moraleda as the amusing tender Bin, Jo Morris as plucky Regina the Melbourne reporter, and Kylie Farmer as sweet Daisy, gave particularly exceptional performances.
Courtney J. Pascoe – Aussie Theatre

Sean Hawkins and Kenneth Moraleda - Photo by Gary Marsh and Fiona Hoy Gary Marsh Photography © 2012

“Particularly enjoyable were the performances of the larger-than-life Pearl King Piggott, played by Ian Toyne, and Malay diver Bin Mahomet played by Kenneth Moraleda, who’s cheekiness and irreverence provided much needed comic relief.”
Maria Noakes – Perth Now/Sunday Times

Kenneth Moraleda and Yutaka Izumihara - Photo by Gary Marsh and Fiona Hoy Gary Marsh Photography © 2012

“-though I must say that Kenneth Moraleda’s Bin Mahomet, while a disgraceful cliche, was a widely entertaining one.”
David Zampatti – The West Australian

The White Divers of Broome — Rich and Compelling

Courtney J. Pascoe / AussieTheatre

Visually spectacular and elaborate, the Black Swan State Theatre Company presents Hilary Bell’s newly commissioned The White Divers of Broome as part of the Perth International Arts Festival 2012. Fiercely exotic and populated with greed, loyalty, betrayal and the controversial history surrounding the White Australia Policy, this world premiere play is rich and compelling.

Boom-time Broome in 1912 provides a series of sweltering and beautiful scenes. The Pearl King, Pigott, contracts the cream of the British Navy — Webber, Sanders and Beasily — as part of the White Experiment to discover if white men can collect oyster shells as efficiently as cheap foreign labour. Portrayed vehemently by Yutaka Izumihara and Miyuki Lotz respectively, superstitious Nishi and desperate Yukiko threaten the project’s success.

While the time period may not appeal to everyone, the flood of character interaction through convoluted power plays and racial tension was enough to maintain audience interest. Kenneth Moraleda as the amusing tender Bin, Jo Morris as plucky Regina the Melbourne reporter, and Kylie Farmer as sweet Daisy, gave particularly exceptional performances.

Although Sean Hawkins as young diver Beasily blossomed during the second act, the brimming energy of the first act began to peter off towards the end of the performance. Ian Toyne as Pigott and Tom O’Sullivan as Sanders dominated and drove much of the first act, but their passions and those of the rest of the cast eased somewhat as the play drew to a close.

Bruce McKinven’s intricate set design and the movable stage is overwhelming; constructed as the inside of a ship’s hull, the stage changed hugely to represent everywhere from brothels and jetties to the ocean floor. Alicia Clements’ period appropriate costume design and the constant movement choreographed impeccably by Claudia Alessi both added to the already impressive visual.

Married harmoniously with Trent Suidgeest’s lighting design, the sand-covered set magically emanated rippling ocean water. Manoeuvrable hanging lights and fairy-lights gave the impression of stars, evening lights and phosphorescence in the unique underwater sequences. A more intense orange light echoed the blistering Broome sunlight. Electronic subtitles were used effectively against a dark background during exchanges between the Japanese couple.

During the aesthetically astounding diving scenes was when Ben Collins’ sound design stood out the most, with ominous, ethereal music and eerie internal breathing sound effects. Dialogue was intensely natural, as were the foreign accents coached by Jenny Davis. Infrequent coarse language was sparing and characteristic, with colloquial language and pearling terminology freely utilised to enhance the atmosphere.

Director Kate Cherry and Black Swan State Theatre Company have produced an enthralling and timeless show with The White Divers of Broome. The controversial history entices the audience, while the revolutionary set design and powerful character development bring a thrilling new dimension to the stage.

The White Divers of Broome by Hilary Bell plays until the 16th of February 2012 as part of the Perth International Arts Festival.

Comments are closed.